Imaginarium 2012

 The Best Canadian Speculative Writing Anthology

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Poetry

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Sleeping Beauty and the Vampire Rose

by

She pricked herself on a thorn,
No, on a needle,
No, on the sharp pieces of a
broken promise.

Carefully unbutton her blouse,
pull aside her bodice.
A tattooed rose
blossoms on her snow
white breast,
a brier drinks from
her heart.

A dark prince placed
the rose upon her. Whispered
golden promises of red
red roses.
His thorn, buried deep,
binds her.

Encased in
the bramble of his lies,
staked by his
pretty garden thistle,
she never wakes,
never dies,
forever dreams
of black red roses.

Carpe Noctem

by

No aphorism of Horace
perhaps, but still

cousinly and
in wide practice

ever since fiat lux
and the tungsten

armies of Thomas
Edison began

to spread the net --

not so much a banishing of the darkness

(the sun would never
allow this),

but a taming
or domestication

of its wavelength,
making the night seem

less worrisome,
less viral, less filled

with menace.

Not that we could
ever completely forget

on any tribal level
what the night once

meant to us, our ids
are too stained

for that. Hence, why
ghosts and the other monsters

have simply followed us indoors,
to the artificial dark

of the cineplex, while
astronomers and other

predators have largely
moved on to digital realms,

where light and shade
are tallied in 1s and 0s

and black holes
(the milk-carton children

of the cosmos) are seduced
more by algorithms

than lost puppies. And while
Death itself (the ultimate

expression of starless skies)
has been delayed

or offset by Apollonian
advances in modern medicine,

this too is artifice, like
the wearing of sunglasses

at night. We must therefore
take heed.

Even as the world's albedo
grows, to turn

our back on the oldest scourge
in our history,

to put it at technical remove,
thinking this somehow

makes us safer, may be to
our own peril.

Or as Horace never wrote:
Carpe noctem ne nox te carpat.

Seize the night, yes.

Just be careful
lest it return with a vengeance.

Zombie wedding chant

by

Please be my kind of pure.
Black as dead blood sweetened with sour goat cheese,
moldy as bread gone blue.
I love you, I do, I do,
please, touch my bloated soft bellybutton,
Be my kind of pure.

When I’m passing through,
I want to consummate with you,
on our wedding day,
on dirty sheets,
yeah, when I say I don’t, I do.
Don’t lift my veil of silence, oh please,
do kiss my deadly urges.
I love you, I love you, I do do do do.
Be my kind of pure.

The bouquet of roses sings off key.
Oh, please, rip them from my head,
dance with broken feet on the blue stair case.
When the red zombie violin screams a tune of
I love you, your heart emerges,
I feel it, Oh god, the band plays dirges. I do, please.
Be my kind of pure.

Defending the Killer

by

Maybe he just meant to take her
along the coast, to show her
clouds reflecting soft and tremulous
on the surface of the water
like someone's breath on your ear.
But the sun and the tide
were too low so he waited with her
on the beach until dusk
when the light settled on the ocean
gentle as a hand across a knee.

White teeth

by

She lives in a house surrounded by white teeth. The sound on the roof could be rain. A dragonfly nearing a gas station where the attendant smokes while pumping gas is an omen, an assurance that dragons will return, their scales a rattling subway train, their wings a flapping carnival tent. They will strike, as lightning once did, at the earth’s mantle, breaking it to reveal a molten core, waking bears from hibernation. No one will be able to sleep, but we’ll survive, she tells us, the skulls of newborns will still fuse, people will find themselves on volcanic land masses surrounded by unopened boxes. And the rain’s hard knuckles will beat us down. The signs are all around us.

Moon Fungus and Crystal

by

Macabre musings on the mausoleum’s
stone-eyed inhabitants stuffed
with the magic of second life:
Oils, calabash of crystal plucked
from the caldera’s radiating grove,
symbiosis of fungal spore and mountain
fern chafed in the palms of resurrection,
while the dark side of Apollo’s pestle
pulverizes faith and hope in the elixir bowl.

Attempting to Excavate Planet 30971

by

the elegant torque
of Cellini’s spiral
broiling sky

dark descent
cold eyes burning
scent of dust

sacred mound
the incessant hum
of robots digging

remembering old earth
and what once was hidden
hematite puzzle box

tectonic shift
the release of
ancient spores

serrated weeds
how the planet burgeons
while they dream

whirling through
the airlock
ashes . . . ashes

False Memory

by

All night, my mother seeks that wedding photo.
Remember, she says, your granny
wearing a gigantic hat—with feathers!
Gibson girl hat, and Grandpa had a moustache?
We loved when he grew a moustache.
Never shave it off, we would beg.

I say, I don’t remember that picture
She says, yes, yes,
it sat on the Italian desk
until you broke the frame.

But Granny never had a wedding photo.

Strict Nominalism

by

The foolish witch speaks with a drunk tongue.
Barley malt is best for bleeding, she says, and for lies.

Let me hear with my tongue
taste the words in my ear
where they are foreign,
unwelcome.
Like Gretl in the cottage
mouth gripped in sweetness.

The wise witch speaks with a drunk tongue.
Wisdom is barley-born and full of secrets.

In principio erat verbum.1

I Wish I Could Eat Coals

by

When I was young I would always ask for fire
And think that blue flame tasted like hot freezie,
That it would burn my tongue cold.

Orange flame tasted like lightning syrup,
A spark on the roof of my mouth,
A glow worm and a scar.

I liked to watch flames move in my grandfather’s glasses
While he smoked and drank at the pit—
And me with the poker stick.

He told a story from his hunting days,
When my father was a boy my age
And he almost shot him by accident.

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