Imaginarium 2012

 The Best Canadian Speculative Writing Anthology

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Book Reviews by Stephen Studach

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Mister B. Gone

reviewed by

Burn this book.

Now who could resist that as the first line of a book?

I know I couldn’t.

Clive Barker burst onto the scene back in the early eighties and was, for a time, like the Elvis of Dark Fiction.

But Clive has long since left that building.

Nightshade & Damnations

reviewed by

Nightshade & Damnations is a prime collection for any Speculative Fiction reader's shelf.

What a shame that Kersh could not be living and writing now. I think he'd fit in nicely with the modern mode of story and its practitioners of psychological, atmospheric darkness.

No Country for Old Men

reviewed by

And Mammon laughed.

Not strictly a Dark Fantasy genre piece, if this falls anywhere it’s probably in Contemporary Western Thriller territory, though elements of it defy those conventions as well. Defying and denying genres is often a good idea. If you create something it will fall into the boxes naturally enough, and eager hands will seek to brand it. There is enough dark speculating in this work to warrant its examination here.

Phantasy Moste Grotesk

reviewed by

A rusty stained scalpel, nestled on a bed of black velvet.

I have never met Felicity Dowker. However, in the imaginative realms, we have walked a few paths together.

Spiral

reviewed by

Fine black hair tendrils, drifting in a night ocean, floating through air, drifting, drifting.

I’m channeling a well, a well not filled with water but with hair. And bone. Bones buried under masses of the dead matter that is hair. Black water. Black hair. Strands of hair being pulled out from between a woman’s lips, more and more, thicker and thicker, till she regurgitates the hair like ropy, coarse vomit.

The Terror

reviewed by

The Terror is an epic adventure, albeit a largely ice bound one. This from the pen of Dan Simmons who has, over the last twenty years or more brought us such fine books as the masterful Song of Kali (purportedly slated by the prime properties collector Darren Aronofsky as a future film project), the collection of short works Prayers to Broken Stones and the recommended Lovedeath composed of five novellas, among many other Horror, S.F., Fantasy and Crime Thriller books.

A Web of Black Widows

reviewed by

A Web of Black Widows is Showcase number 7 from Peter Crowther’s PS Publishing out of the U.K.

It holds six stories by the writer Scott William Carter and features cover art by Glenn Chadbourne.

Carter is an American writer from Oregon who has seen publication in Weird Tales, Analog, Asimov’s, Realms of Fantasy, Chiaroscuro, Ellery Queen, Fantasy Magazine and in a number of anthologies.

The Beast Within

reviewed by

The tall pine tree tops; bristling, waving fingers indicating the fulgent moon. There is a distant howling; picked up again and again in a nearing chorus. The chill air is perfumed with a melded musk of human and beast. The shadows growl . . .

That’s right, you’re in the country of the changed. Skinwalker-bound volumes are about to tell you their individual tales, inscribed with spattered blood, steaming gore, gnashing, foaming fangs and sweeping claws.

Dark Animus 10/11

reviewed by

Here’s a grungy little roadside pump station and redneck hellbilly museum out in the back of beyond. You pull in, switch off, listen to the isolated, isolating silence. And as your car is ticking down in the subtly insect-chirping night, this guy in filthy overalls comes out. His name is Cain he tells you, and this surely could not bode well. The overalls are stained with grease and crimson and odd-smelling lube, and he’s got a funny little smile this guy, when he does smile, and black under his fingernails and when he slips that bowser nozzle into your uncapped tank it feels like abuse.

Engines of Desire

reviewed by

Engines of Desire by Livia Llewellyn

Reviewed by Stephen Studach

At this point in time there are more original writers in the speculative fiction genre finding print outlets than ever before. The reasons for this relate to population, the evolution of the imagination and the modes of publication. However, all that concerns us here is the fact that Livia Llewellyn is one whose words are worthy of attention.

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