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 The Best Canadian Speculative Writing Anthology

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Shitty Poetry Month: Week Four

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The final round of April’s Shitty Poetry, featuring the terrible imaginings of Marge Simon, Melia McClure, Philip Nutman, Yves Meynard, Don Bassingthwaite, Carolyn Clink, Mike Bryant, Barb-Galler Smith, Halli Villegas, Mary Turzillo, and Colleen Anderson!

Marge Simon

Foolscary

A dragon momma sits and sings
At night she sings
Do-wah-dee, wah dee-wee,
Dum diddy do.

He came one night to her lair-sit,
And kisses gave her one two three
Saying here am I, your suitor sole,
Though I am but a human be.

Shitty Poetry Month: Week Three

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Week 3 of April’s Shitty Poetry Month presents some truly inspired awfulness from Ada Hoffman, Geoffrey A. Landis, J.Y.T. Kennedy, Brett Savory and Daniel Parker Lee, and Kari Maaren!

Featured Book Challenge: All of the poems this week were inspired by a ChiZine Publications book series. Can you name the title(s)? Share the correct book title(s) on the ChiZine Publications Facebook Page and enter for a chance to win the ebook of this week’s featured book, plus its prequel (hint, hint)!

(If you're not on Facebook, feel free to leave your winning guess in the comments below!)

Let the good shit be yours!

Ada Hoffmann

. . . Because Why the Hell Not

Shitty Poetry Month: Week Two

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It’s Week 2 of April’s Shitty Poetry Month! Enjoy the terrible musings of Robert Runte, Matt Moore, Stephen Graham Jones, Michael Matheson, and Michèle Laframboise.

Featured Book Challenge: Are YOU a shitty Poet? Prove it! Go to the ChiZine Publications Facebook Page and SHARE your own short-shitty poem, and enter a chance to win this week’s featured book Goldenland Past Dark and last week’s featured book The Inner City!

Family Demons

reviewed by

The idea of the “persecuted maiden” has become a familiar (and beloved) staple in fictive art since Andromeda’s mother offended Poseidon. In the Middle Ages, Chaucer suggested that a woman’s tolerance for sweet torture could surpass the unbearable through Griselda’s humiliation in “The Clerk’s Tale,” and the idea of explaining supernatural issues as more realistic hazards came to us via Emily in Radcliffe’s The Mysteries of Udolpho.

April is Shitty Poetry Month

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April is National Poetry Month! The birds are singing, the flowers are bursting into bloom in these first days of spring! And lo, a person's thoughts turn to verse, and the beautiful phrasing and ideas found in poetry. We at ChiZine embrace poetry! We wanted to—SKKREEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEECCH!

Yes, that was the sound of Dr. Johnny Fever changing the programming. Who are we kidding? You're probably already getting your good and highfalutin' poetry elsewhere. But hey—we still wanted to blatantly capitalize on the event! So ChiZine is pleased to bring you: Shitty Poetry Month™! The first year of a (semi) proud new tradition.

Each week we will bring you new shitty poems by authors you didn't know had . . . that much . . . shit . . . in them.

And each week we'll have a new contest, so check back here to see what you can win!

This week, it's "match the shitty poem to the author who shat it out" and win a free ebook copy of Karen Heuler's new book, The Inner City from ChiZine Publications! Post on the CZP Facebook page or tweet your answers to @chizinepub! Winners announced weekly!

Shitty Poetry Month: Week One

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Three great authors, three shitty poems! We've separated the poems from their authors, and it's up to you to match them! Follow the ChiZine Publications Facebook Page for full details.

A. The Greatest Story Ever Told

The Penguin chick bursts from the shell
His fetal bed has served him well
But now the newborn bird will rest
Within his windswept, treetop nest.

What She Dreams Of

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She dreams of it on special occasions.

James Lee, "if"

Usually it decomposes quietly, mobster corpse
stashed under the brain's wet cement,
raccoon cadaver in the moonlight
on the potholed shoulder of the royal road,
heaving with maggots.

It thinks in maledictions. It hangs itself
in the closet and waits for her to come in.
Its head turns toward mirrors. Light moves away
from it quickly and pretends they've never met;
dark gets stuck inside it.

It obtained an advanced degree
from the School of the Americas,
where it always got extra credit. It hums
to itself frequently; off-key renditions of Puccini
or Led Zeppelin.

It used to give her ideas,
which she acted upon when the opportunity
presented itself, until something else told her to stop.
It wants to hide a weapon in one of her body cavities.
Be Preemptive is its motto.

It hates the medication
that keeps it silent, gag of wadding
ending in zine or zone. When it reanimates
and wades out of the flooded culvert of her nightmares,
it knows why it has been summoned.

Black Curiosities: the Work of Adam Nevill

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You may have noticed that I don't have to talk about anything I don't already like in these columns, and today's subject—my heartfelt appreciation for and passionate envy of rising U.K. horror star Adam Nevill—will be no exception. Whenever I start to talk about Nevill, even to my friends, I tend to get a bit star-struck.

Les Daniels' The Black Castle

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When I was a kid, I collected almost anything to do with vampires—not memorabilia, not objects, and this was long before the very idea of owning copies of actual movies, unless you wanted to buy a 16mm/Super-8 camera system (thus risking the attention of the child-stealing demon Bungool, according to recent horror film Sinister)—but short story collections, comics, nonfiction books, magazines . . . and, of course, novels.

Beyond Omphalos

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She consecrates liters of H3 and sulfur
on the altar of Apollo at Delphi
and gazes at the navel of the earth, expecting
the swirl of galaxies
forming within (with vibrato, string theory
sustained at the end of a chord) only to discover
a muted spectrum
No other communication arrives
to reveal a hidden watcher; her own
turned-inward gaze
but a starspeck, cryogenically frozen
waiting -- waiting for a glimpse of Chronos
his measured, unyielding stride
out beyond the red shift, and out of her hands

Dexter Season 7

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Showtime’s Dexter has become a scattered collection of missed opportunities, and considering the exceptional advantages this project had going into its seventh season, the degeneration is surprising. There was a strong foundation here, based first and foremost on the project’s interesting and long-established premise of the quiet blood spatter expert killing bad guys. Secondly, over the course of its six year run, Dexter’s odd hero, played by actor Michael C. Hall, remained both likeable and believable.

The Shout

reviewed by

It's interesting that Crossley (Alan Bates), the central figure of The Shout (dir. Jerzy Skolimowski, 1978), claims to have spent 18 years perfecting his grasp of Aboriginal shamanistic sympathetic magic in the Australian Outback, because the film The Shout reminds me most strongly of Peter Weir's The Last Wave (1977).

One Panel, No Waiting #8

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 A rat-bastard at home.

Jimmy

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In some ways, Jimmy Hawthorn is a lot like many other high school kids. He’s quiet. Kinda shy around girls. Gets pretty good grades. Likes to play video games. For a while there he had to deal with a bit of bullying until he hit a growth spurt and started lifting weights. He’s never found himself in any real trouble to speak of. No run-ins with the law. Gets along well with his parents and his brother. Yeah, just an average young man from an average family living in an average American town. There is one thing, though, that might not be considered quite so average about Jimmy Hawthorn.

Bel Dame Apocrypha

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Serious as a fucking heart attack, Kameron Hurley’s Bel Dame Apocrypha books (God’s War, Infidel, and Rapture) are a bold, brutal sojourn through blood-soaked streets, war-torn countries, and the battered maps of her characters’ lives, bodies and proverbial souls. And ladies and gents, this series is a god-damned masterpiece.

Moonwolves

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The pack hurtles across the crater:
a volley of bodies;
salvoes of flying feet and jaws
and tails trailed like banners.

Each footfall leaves
a slow silver fountain.

What is it they hunt?
Onager or wapiti, wildebeeste, moa?
(Once it was a two-legged ghost
that vanished as they struck.)
Lumbering aurochs or swift stiltlike dinornid,
at the end it falls under
their teeth in
a welter of
microprocessors, effectuators,
metal shards and
a strangely satisfied hunger.

Dark Shadows

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As a vampire-obsessed young adult, I found myself in the odd position of having the gatekeepers for my interest in the genre often be slightly older women whose first/imprinting experience of Yes, THIS Is The Thing For Me came through the medium of Kolchak: The Night Stalker and The Winds of War creator Dan Curtis's now-legendary supernatural soap opera, Dark Shadows (recently reinterpreted in movie form by Tim Burton with a not-exactly-winning combination of smirky 1970s fetishism and sub-par Johnny Depp freaktitude, in such a way as to neatly alienat

King of the Dead

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I described Eyes to See—the first book of Joseph Nassise’s “Jeremiah Hunt Chronicles”—as a travelogue of the macabre. In that story, the Bram Stoker-nominated author set his protagonist’s horrifying encounter with a shape-shifting specter in the city of Boston. In doing so, he created a map of terrifying encounters set in some of Boston’s most famous areas. In Nassise’s follow-up, King of the Dead, he takes his readers down south to sweltering New Orleans.

L. A. Spooner

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Our Art Editor, Sarah Ennals, recently interviewed Luke Spooner about his artwork. Here are three samples:

 Puss With Guns

My Pet Serial Killer by Michael J. Seidlinger

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My first encounter with Michael J. Seidlinger's prose came via his dark novel The Sky Conducting. The book stuck with me because Seidlinger pulled off two things that are rarely seen. For starters, the narrative was the first truly unique and engaging work of post-apocalyptic fiction I'd read in years. Also, the author's prose was the best example of economy of language I'd encountered in a very long time. In a way, it felt like reading a darker, more lyrical version of James Ellroy.

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